Christopher Eccleston
Alyssa's fan site
(under construction; some films I've seen are not on here yet)

Chris's work in film
This page will expand as I get to see more!

Entry Format:
Review: What I think of the show overall
Chris's role : About the character and the acting
Candy: I'd say "eye candy," but I'm including auditory joys as well


Kerry Fox, Ewan McGregor, and Christopher Eccleston
as Juliet Miller, Alex Law, and David Stephens

Trivia : They and the producer and director actually lived together during rehearsal and filming. (I shudder to think what stories they could tell...)

Shallow Grave

Though other films may have more emotional impact on me, I'm leaving this one first, because it's the first time I saw Chris, and I remembered his name.

A doctor, a journalist, and an accountant are looking for a new flatmate. Sound like the opening to a joke? It is. The first sequence consists of these three friends asking prospective roomies ridiculous questions and laughing at the rejects.

But the movie gradually gets less and less funny, and more and more scary, until it's no longer funny at all.

When they finally choose a flatmate, he ends up dead in his room with a suitcase full of money. They decide to hide the body and keep the money, and gradually become more and more suspicious of each other, each trying to find his own way to take all the money.

Shallow Grave was this first film by the writer/director/producer team of Trainspotting, A Life Less Ordinary, and The Beach: John Hodge, Danny Boyle, and Andrew MacDonald.


"How would you react if I were to tell you I'm the antichrist?"

Review
One of the best suspense films I’ve ever seen. More than a little weird.

Chris’s role
He’s the accountant, David Stephens. He sort-of made the final decision on keeping the money, because the other two were for it right away and just waiting for him to agree. But once the deed was done, he couldn’t really handle it, and he gradually went mad. Though all three got paranoid about getting caught, he was more so.

An absolutely stunning performance.

Candy
Actually, to be sadly honest, I had a crush on Ewan McGregor the first time I saw this, so I utterly failed to notice how handsome Chris is. It didn’t help that he’s done up as a total nerd, hiding behind glasses, dorky sweaters, and accounting ledgers (not that I mind nerds; far from it!), and that his character goes homicidally insane. But I've opened my eyes since then...
There are a few lengthy close-ups and a brief shower scene. Oh, and a Scottish accent.


Money is just numbers on a page, an abstract concept, until a suitcase full of it turns up in his flat. Then it's an irresistible temptation.

The last real show of friendship between the three. David just saved Juliet from an unwanted suitor by claiming to be her boyfriend and telling him off.

As the suspicion between former friends comes to a head, Juliet tries to protect herself from the one she sees as dangerous...

I can't tell you too much about this shot without giving things away. Let's just quote his opening speech: "If you can't trust your friends, well, what then?"




The real Derek Bentley, who
died 28 January 1953


One of the gang


The draft board insisted on testing Derek for epilepsy instead of accepting his doctor's note. Chris was very good at faking a seizure.

Let Him Have It

Chris's first film. He was cast partially on the basis of being unknown. It's based on the true story of a young man hanged for a murder he didn't commit.

Review
I cried for a good 15 minutes at the end of this, and probably would have kept on if I'd been alone. It was incredible. Even knowing how it would end, I cried "No!" when the judge reached for the black cap, and begged for someone to show the mercy the jury recommended, for someone to change the outcome. Afterwards, I had to go online to find out if the verdict had been overturned in the 15 years since this film was made (it had at last, in 1998, after a 45-year crusade by his family). 

Chris's role
Derek Bentley suffered from epilepsy as a result of a WWII bombing, and at the age of 19 had an estimated mental age of 11.
Chris went against the director's intentions in this film. The director wanted to garner maximum sympathy by showing Derek as a sweet, innocent child, but Chris insisted on playing him as a real person, with real issues, and at least a little guilt of his own. I don't think this movie would have been anywhere near as good if we only saw the main character as a poster child.

Dedication to the truth is one of this things I love about Chris.

But nothing can change the fact that Derek Bentley was killed, and was innocent. His friend murdered a cop, but the law murdered him.

Candy
I almost hesitate to include this section when he was playing a real person, and one who deserved a lot more dignity than he ever got, but the truth is, Chris looked very good in this. At times he reminded me of Johnny Depp or David Boreanaz , but in a good way.
Aside from two wardrobe issues (suspenders over a sweater vest, and a light blue jacket that emphasized his wide shoulders and hid his narrow waist). He often had hair in his face. His expressions were always sincere, whether a smile, a nervous shrug, or a sad goodbye to Mom from jail.
Also, there's a scene in which he's doing pushups in a tank top.
 



Chris's portrayal


Chris wrote with his off hand to sign the farewell letter because Derek couldn't write well.


on trial

led to execution


Revengers Tragedy

An adaptation of a play that was very popular in 1607, now set in post-apocalyptic Liverpool.

Review
I fell in love with this film within the first two minutes, before Chris even appeared. I loved it just as much if not more the second time I watched it. Maybe it was the amazingly beautiful soundtrack by Chumbawamba. Maybe it was the visuals: a satellite view of the UK with the southeast lost in water, then the “Liverpool - please drive carefully” sign, followed by the bus sliding into view and crashing into a pile of trash…

It only gets better. Cut inside the bus, where everyone is dead, or almost everyone...
 
Then a hand grabs a rail, and Chris pulls himself into view, gets off the bus, and starts shaving his head while walking...

...taking a brief break to beat up some thugs who think he’s from London (and without any martial arts training!).

I’ve mentioned the unbelievable soundtrack and visuals. Colorful sets, both literally and figuratively. Lots of great acting, too; the costar is Eddie Izzard, and Derek Jacobi also has a significant role. The script is mostly the original text, with some words changed to match the setting, and some new lines that completely drop the style of the play and often include foul language.

And it’s funny! The play was considered the work of a lunatic for a while, but recently critics decided it was actually meant to be a black comedy, and they identified the anonymous writer as Thomas Middleton. I should think the choice of character’s names – basically, descriptions of them in Italian – would have made it obvious this was meant to be funny.

Chris’s role
Vindici, who has come home after years in hiding (descriptions say ten, but never is the number mentioned in the dialog) to avenge the murder of his wife at their wedding.

He’s mad as a hatter, though he manages to contain it until he actually starts planning the murder of the killer (with the assistance of his brother and sister).

He does care about the living, too; while plotting revenge, he also has to protect his sister from unwanted attention from his own employer.

Candy
Same buzz cut as in Doctor Who (if I'd seen this first, I might not have been so surprised at his look); tears; the fight scene that shows off his agility; long black coat (belongs to the director, and I think it’s the same one he wore in Death and the Compass, below); interview on the DVD in which Chris is all excited, curled up on a couch, playing with his lack of hair and Vindici’s wedding ring (sorry I haven't got any screen captures for you!).

Vindici


 
not Doctor Who

Vindici, his brother Carlo, and his sister Castiza
Vindici barges into Lussurioso's car, which was usually occupied by his brothers, Ambitioso, Supervacuo, Spurio... and Junior.

Gloriana and Vindici, 
before and after
Vindici 
the 
mad

 

Boethius 24 Hour Party People

A not-quite-documentary about the music scene in Manchester from 1976 to 1992. It’s a lot like This Is Spinal Tap, with a bit of The Doors because it’s mostly a true story and has a sad ending halfway through (yes, I know exactly what I just said).

“I believe it was F. Scott Fitzgerald who said, ‘American lives don’t have second acts.’ But this is Manchester. We do things differently here.” 
- Tony Wilson
Review
Funny, engaging, great music, made me want to learn more about the real people in the story, and worth every cent I spent to rent it even though…
Chris’s role
Lasts about 30 seconds. Boethius, the out-of-work philosopher (well, that’s the name he gives, anyway). He wasn’t even credited for the role, just given “special thanks.” He showed up one night as a favor to the producer, sat on the sidewalk, asked for some spare change, and then gave Tony Wilson a speech about the cycles of joy and pain throughout history.
So why is this so high on the list? I wrote a whole short story inspired by that scene. (No, you can’t see it. It’s not finished yet. But if I get it right, it could be the best thing I’ve ever written.)

Candy
Despite the short duration of the role, the damp, stringy hair, and the red lighting, he looked pretty darn good. Intense soliloquy shouted in a benefactor’s wake, with an exaggerated accent.

Jude

Based on Thomas Hardy’s novel, Jude the Obscure.

Review
Fantastic acting by both Chris and Kate Winslet, great emotion, but the plot wandered all over the place, and it didn’t have an ending. We’re left hanging with both of them emotionally destroyed, but no resolution, not even death.
I came to the conclusion, about 50 pages into the book, that Thomas Hardy’s novels just don’t work as movies, and here’s why: the characters are defined through many little events, easily removed from the overall plot. Without those events, even the best actors can’t show us all the facets of the characters’ personalities, all the emotions they feel. With all those events, the movie would be too long.


Sue, his cousin and dearest love
Chris’s role
The title, Jude Fawley. He wanted so badly to be a scholar, but the university wouldn’t let him in because he was from the working class.
But it wasn’t just his background that kept him from getting what he wanted; he was also weak-willed, especially where women are concerned. Though he spent a lot of time hoping and dreaming, he never really tried to take control of his own fate (or so it appeared in the movie). The other tragedy in his life was that he let a young lady seduce him and found he had to marry her, but then she ran off when she realized she wasn’t pregnant after all. Of course divorce wasn’t acceptable then unless you were the King, so when he met his true love, he couldn’t marry her. That tiny fact haunted them everywhere they went and eventually tore them apart.
Jude and Arabella

Arabella, his ill-chosen wife, to whom he later (foolishly) returned for solace

Candy
Lots of nudity, lots of sex (though not much foreplay), grief and loss, natural accent (I think).

I’m not sure why – maybe it’s the costuming, the haircut, or simply the mannerisms of the character – but this film really brought out Chris's natural good looks.

failed in ambition and love

ill and alone




returning to his wife...


shell shocked

Candy
Longish hair, vulnerability, poignant goodbye sex, and real tears. I don’t know what accent he’s using, only that he sounds nothing like himself.

The Others

This movie really belonged to Nicole Kidman. Her husband has gone to war, and she’s trapped in their island manor with two children who are hurt by sunlight. The house seems to be haunted, and the new servants seem to have a secret… but so does she.

Review
It's pretty good, though not fantastic. The so-called big twist wasn’t so big to people who don’t get caught in assumptions about these things, but it’s still dramatic.


...and kids

Chris’s role
Despite his high place in the credits, he’s only in it for about a twenty minute segment, and only on screen for half of that. However, they really needed someone with his talent to fill this small but pivotal role; the intensity of emotion in those ten minutes really draws on his strengths.

He finally returns from the war; she finds him one night in the mist. But he’s seen too much horror and can’t seem to bring his mind home with him. And when he learns his wife’s secret, he can’t bring himself to stay.


I think it depends on your sexual orientation which one you envy more...



The uncle holds the baby at a bris.


He gives her the Bible quote about virtuous women, and she calls him ugly.

A Price Above Rubies

This is another case in which the film belongs to the female lead; here it’s Renee Zellweger. She plays a New York Jew dissatisfied with her marriage and her religion. Her brother-in-law offers her a chance to expand her horizons through a job in his jewelry shop, but to keep it, she has to shag him whenever he asks.

Review
Very good; certainly better than its poor showing at the box office would suggest. Well worth seeing in its own right, not just for Chris.

Chris’s role
The sleazy brother-in-law. He actually likes to brag about his sins, to those he dares to tell, that is, and she’s one he dares to tell.

Candy
Not a lot, in truth; this film was largely unflattering to Chris. The requisite beard hid too much of his face, and the requisite accent sounded too much like Billy Crystal. Some sex but no nudity (well, not Chris, anyway); the only sex scene that was actually sexy was the first one, because he took the time to kiss and touch her a bit before just banging away, and I think she needed it badly enough that she seemed to be having a good time.


First encounter; so far she doesn't mind.


"Now I'm free," she said in the end.
And by the subtle little smile you can't even see here, I'm inclined to conclude that's what he really wanted all along.

28 Days Later

A zombie movie brought to us by the producer and director of Shallow Grave, but with a different writer.

Review
John Hodge was a necessary ingredient in the fantastic films Boyle and MacDonald put out before this. It just wasn’t up to par. Good for what it is, I suppose, but not on my list of top horror films.

Chris’s role
Major West. I called his group “the evil army guys.” He should have known better than to tell a bunch of soldiers they needed women for the survival of humanity; of course they took it as licence to rape.
I hated this character. Absolutely hated him. But the first time I saw this movie, I didn’t even recognize Chris (it didn’t help that Cilian Murphy looked so much like David Stephens… ok, I’m ashamed, but it’s the truth…), so in retrospect I think I’d be more inclined, were I the female lead, to try to cut a deal with him…


Candy : Well, if you like men in uniform, and if you like buzz cuts (I usually don’t, but Chris can pull it off), you’ll like his look in this one.
Somehow he looked both strong and delicate. It doesn’t make a whole lot of sense, I know, and yet it’s not at all unusual for Chris.

Gone in 60 Seconds

The car-stealing action film with Nicolas Cage. Yes, Chris was actually in that, though he said he only took the role out of boredom.

Review: Not the best action flick, but surprisingly funny, and I did get into the story.

Chris’s role: The crime lord Raymond Calitri, who forces Nick Cage’s character to steal 50 cars for him or watch his brother (who had already failed the job) die. He loves wood (so why is he in the stolen car business? I don’t know) and actually makes furniture, and a coffin to drive his point home about the brother. Not a lot of depth, or a lot of screen time. Suave but scary.

Candy: He gets to hit Nick Cage (and then get beaten up by him); panic attack when Nick breaks his latest woodworking project; tirade about why he hates the US; death scene (and we know how Chris enjoys those).

eXistenZ

A sci-fi film about a virtual reality game.

Review: Fantastic ending, but to get to it, you have to sit through a lot of bad performances by a lot of good actors. There's a reason this is at the bottom of the list.

Chris’s role: “I had a lot to do in that first scene in the church, but I thought the character was boring.” That's all I'm going to say.

Candy: Well, he’s in it… I guess that’s something. And the incredibly lucky Jude Law got to hold him when he got shot.